And nothing she needs”: Victoria's Secret and the Gaze of “Post
A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute an important artifact of the turn of the 21st century decade, one which saw the rise of so-called “raunch culture” and increasing depictions of hyperfemininity and hypersexuality in popular and celebrity culture (Donnelly & Twenge, 2017; Renninger, 2018; Scott, 2006, 2010; Zaslow, 2018).
PDF) “And nothing she needs”: Victoria's Secret and the Gaze of “Post -Feminism”
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PDF) Gill within a postfeminist culture ' The whole playboy mansion image ' : Girls ' fashioning and fashioned selves
PDF) “And nothing she needs”: Victoria's Secret and the Gaze of “Post -Feminism”
DOC) Commodification of Femininity Under the Neoliberal & Postfeminist Lens: Final Essay Katie Budd -500506439 CSOC633: Sex, Gender Identities, and Sexualities
DOC) Miranda Kerr From Wikipedia, the free encyclopedia
PDF) The Meaning of the Feminist T-Shirt: Social Media, Postmodern Aesthetics, and the Potential for Sociopolitical Change
PDF] Masculine and feminine traits in Cinderella and Ever After
DOC) Miranda Kerr From Wikipedia, the free encyclopedia
PDF) Spectatorship and Display: The Gaze in The Classical Nude and Contemporary Advertising in 2001 and 2011
PDF) Gill within a postfeminist culture ' The whole playboy mansion image ' : Girls ' fashioning and fashioned selves
GEN Fashion and The Homospectatorial Look, PDF, Jacques Lacan
And nothing she needs”: Victoria's Secret and the Gaze of “Post-Feminism”
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